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The Resource Dark sacred night, Michael Connelly

Dark sacred night, Michael Connelly

Label
Dark sacred night
Title
Dark sacred night
Statement of responsibility
Michael Connelly
Creator
Author
Subject
Genre
Language
eng
Summary
Teaming up with Harry Bosch to reopen a cold case, LAPD detective Renâee Ballard navigates interpersonal differences to pursue justice for a murdered runaway in Hollywood
Member of
Storyline
Pace
Tone
Writing style
Character
Review
  • /* Starred Review */ Of the myriad things Connelly does superbly as a crime writer, perhaps one of the least heralded is his ability to bring characters together from different series. Many writers have attempted this gambit, but too often it winds up feeling artificial, like a mere guest-star turn. Not so with Connelly, who first brought then–LAPD detective Harry Bosch together with lawyer Mickey Haller, adding backstory and depth to both characters, and who now introduces Harry to Renée Ballard, from The Late Show (2017). Bosch is retired from the LAPD now and working cold cases for the San Fernando PD, while Ballard continues to toil on the night shift. They meet when Harry is discovered by Renée doing some surreptitious snooping in department files. Harry can't stay away from an extremely cold case involving the rape and murder of a teenage prostitute in Hollywood; Renée, intrigued by the case and with her own reasons for pursuing abusers and killers of women, teams up with Harry off the books. Meanwhile, both cops have cases on their front burners that could play havoc with their lives and careers. Connelly does what he has always done over 31 previous novels, from taking extreme care with procedural detail, showing cops digging for facts wherever they can be found, through getting inside his characters’ heads and revealing a nest of ambiguity as well as dark sides ever eager to express themselves. So it happens here, as Bosch, attempting to follow his personal creed—""Everybody counts or nobody counts""—wanders into some very deep water. HIGH-DEMAND BACKSTORY: A guaranteed chart-topper again for Connelly, as the success of the Amazon Prime series Bosch heads into production for its fifth season, creating more synergy for the books, which continue as strong as ever. -- Bill Ott (Reviewed 9/1/2018) (Booklist, vol 115, number 1, p48)
  • /* Starred Review */ LAPD Det. Renée Ballard, first seen in 2017’s The Late Show, makes a welcome return in this outstanding, complex police procedural. Relegated to the night shift at the Hollywood Station following a sexual harassment suit against her former lieutenant, Ballard works her cases with a quiet focus and intensity. Late one night, Ballard surprises a man looking through some old case files. It turns out to be retired LAPD detective Harry Bosch, now working cold cases for the San Fernando PD. After Bosch leaves, Ballard takes a look at the file, detailing the unsolved 2009 murder of Daisy Clayton, a 15-year-old runaway. The slain girl was the daughter of a recovering addict, who has been taken in by Bosch. Ballard is hooked, and begins working the case with Bosch. Meanwhile, Bosch’s investigation into another cold case, the execution-style killing of a 52-year-old gang leader, has put the detective squarely in the sights of Varrio San Fer 13, one of the valley’s most violent gangs. Bosch and Ballard, both outsiders with complicated pasts, form a perfect partnership in this high spot of Edgar-winner Connelly’s long and distinguished career. Agent: Philip Spitzer, Philip G. Spitzer Literary. (Oct.) --Staff (Reviewed 08/27/2018) (Publishers Weekly, vol 265, issue 35, p)
  • Night shift detective Renée Ballard (The Late Show) of the LAPD Hollywood Division returns from a scene early one morning to find a stranger rummaging through an office file cabinet. She soon learns that the man is retired detective Harry Bosch, and he's looking into the cold case murder of a teenage girl. After reading up on the case, Ballard approaches Bosch and offers to help. She learns that the dead girl was the daughter of a woman living in Bosch's house—a woman he met while working undercover as a pill shill (Two Kinds of Truths). Digging through field interview cards from nearly a decade before, the detectives uncover a lead. At the same time, Ballard is working a homicide and Bosch is looking into a gang killing for the San Fernando Police Department. Despite a structural formula of parallel story lines similar to other recent Bosch entries, the partnership between the detectives makes it feel fresh. Bosch's reckless instincts are tempered by Ballard's by-the-books attitude. VERDICT Mystery-suspense readers will not only enjoy this quick read but will look forward to the duo's continuing partnership. [See Prepub Alert, 4/23/18.] --Vicki Briner (Reviewed 10/01/2018) (Library Journal, vol 143, issue 16, p44)
  • Harry Bosch, who just can't stay retired, unwillingly teams up with a Hollywood detective who has reasons of her own for wanting in on his latest cold case. It may be nine years since 15-year-old runaway Daisy Clayton was grabbed from the streets of Los Angeles and killed, but the daily presence of her mother, Elizabeth, in Harry's life—she's staying at his place while he helps her stay clean—makes it a foregone conclusion that he'll reopen the case. On the night Bosch drops into Hollywood Division to sneak a look at some of the old files, he's caught by Detective Renée Ballard, who was bounced from LAPD Robbery/Homicide to "the late show," Hollywood's third shift, after her complaint about aggressive harassment by a superior went nowhere. Bosch needs to find out who was responsible for what happened to Daisy; Ballard needs to work a case with teeth, even if she's partnering with a reserve investigator in the San Fernando Police Department (Two Kinds of Truth, 2017, etc.) who'd rather work alone. Before they get what they need, they'll have to wade through a double caseload as grueling and sometimes as maddeningly routine as you can imagine, from an apparent murder that turns out to be a slip-and-fall to an ancient gang killing whose repercussions flare to sudden life to the theft of some valuable Andy Warhol prints to a missing man who's not just missing—not to mention Elizabeth's sudden disappearance and Ballard's continuing lack of support, and sometimes even backup, from her department. Not even the canniest readers are likely to see which of these byways will end up leading to the long-overdue solution to the riddle of Daisy Clayton's death. Fans who don't think the supporting cases run away with the story will marvel at Connelly's remarkable ability to keep them all not only suitably mystifying, but deeply humane, as if he were the Ross Macdonald of the police procedural. (Kirkus Reviews, September 1, 2018)
http://library.link/vocab/ext/novelist/bookUI
10732610
Cataloging source
YDX
http://library.link/vocab/creatorDate
1956-
http://library.link/vocab/creatorName
Connelly, Michael
Dewey number
813/.6
Index
no index present
LC call number
PS3553.O51165
LC item number
D36 2018
Literary form
fiction
http://library.link/vocab/resourcePreferred
True
Series statement
  • Renee Ballard novels
  • Harry Bosch mysteries
Series volume
  • 0002
  • 0023
http://library.link/vocab/subjectName
  • Bosch, Harry
  • Bosch, Harry (Fictitious character)
  • Ballard, Renee (Fictitious character)
  • Policewomen
  • Hollywood (Los Angeles, Calif.)
Label
Dark sacred night, Michael Connelly
Instantiates
Publication
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Dimensions
25 cm
Edition
First edition.
Extent
435 pages
Isbn
9780316484800
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
System control number
(OCoLC)1020450924
Label
Dark sacred night, Michael Connelly
Publication
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Dimensions
25 cm
Edition
First edition.
Extent
435 pages
Isbn
9780316484800
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
System control number
(OCoLC)1020450924

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